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Brooklyn Museum: A Woman’s Afterlife — Gender Transformation in Ancient Egypt

Brooklyn Museum

200 Eastern Pkwy, Brooklyn, NY 11238

Womans Afterlife at Brooklyn Museum

The ancient Egyptians believed that to make rebirth possible for a deceased woman, she briefly had to turn into a man. Guided by new research inspired in part by feminist scholarship, the exhibition A Woman’s Afterlife: Gender Transformation in Ancient Egypt tells this remarkable story of gender transformation in the ancient world, exploring the differences between male and female access to the afterlife.

Egyptian medicine taught that a woman, once in her tomb, faced a biological barrier to rebirth. Because the ancient Egyptians believed that in human reproduction it was the man who created the fetus, transferring it to the woman during intercourse, rebirth was impossible for a woman alone. To overcome this perceived problem, a priest magically transformed a woman’s mummy into a man long enough to create a fetus. This required representing a woman with red skin on her coffin—the color normally assigned to a man—and reciting spells that addressed the woman with masculine pronouns, spells also recorded graphically on the coffin. A woman later returned to her original female state and incubated herself for rebirth into the afterlife as a woman.

This exhibition showcases 27 objects from our renowned collection of ancient Egyptian art. It includes the painted coffin box and mask of Weretwahset, which represents a deceased woman with red skin, the magical intervention that gave her the male power to create a fetus for her own rebirth. There is also a small, finely carved statuette of a woman; her elaborate wig and close-fitting dress indicate that she has returned to the female state after recreating herself for rebirth. — Brooklyn Museum

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Womans Afterlife at Brooklyn Museum

Coffin of the Lady of the House, Weretwahset, Reinscribed for Bensuipet Containing Face Mask and Openwork Body Covering, circa 1292–1190 B.C.E. Wood, painted (fragments a, b); Cartonnage, wood (fragment c; cartonnage (fragment d) , 37.47Ea–b Box with Lid in place: 253/8 x 193/4 x 761/8 in. (64.5 x 50 x 193.5 cm). Charles Edwin Wilbour Fund, 37.47Ea–d. (Photo: Sarah DeSantis, Brooklyn Museum)

Womans Afterlife at Brooklyn Museum

Mummy Mask of Bensuipet, Deir el-Medina, Egypt, circa 1292–1190 B.C.E. Cartonnage, 71/4 x 141/4 x 243/8 in. (18.4 x 36.2 x 62 cm). Charles Edwin Wilbour Fund, 37.47Ec. (Photo: Sarah DeSantis, Brooklyn Museum)

Womans Afterlife at Brooklyn Museum

Statuette of a Woman, circa 1390–1353 B.C.E. Wood, 101/8 x 23/4 x 17/8 in. (25.6 x 7 x 4.8 cm). Charles Edwin Wilbour Fund, 54.29. (Photo: Jonathan Dorado, Brooklyn Museum)

Womans Afterlife at Brooklyn Museum

Mirror with Handle in Form of Umbel with Two Ibex Heads, circa 1539–1292 B.C.E. Bronze, Other (handle): 41/4 x 31/2 x 3/4 in. (10.7 x 9 x 2 cm). Charles Edwin Wilbour Fund, 75.168a–b. (Photo: Jonathan Dorado, Brooklyn Museum)

Cover photo: Amarna King, circa 1352–1336 B.C.E. Limestone, paint, gold leaf, 83/8 x 17/8 in. (21.3 x 4.8 cm). Gift of the Egypt Exploration Society, 29.34. (Photo: Brooklyn Museum)



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